PCP: Ramin Djawadi’s “Paint It Black”

Monotony Monday #23 – Morphing Maniacal Melodies

A Fresh Coat of Paint It Black

The short of itWestworld manage to reinvigorate one of the most tired covers out there by pairing it with near perfect choreography. 

So I just started watching Westworld (guess what’s coming up for WW #23) and holy smokes, cowboy. It’s hard to turn off, partially because of its captivating performances and stories and partially because I accidentally kicked the remote out of reach.

Point is, it’s really good. Some of the scenes are just so masterfully composed that I keep replaying them in my head. The foremost scene that’s been on a loop in my brain is the heist scene.

Everything is just so radical. The quick spins during gunfire, the sweet lines, and, most of all, that kickass rendition of “Paint It Black.”

Let’s be honest though, it’s a song with one too many covers.

From the good,

to the okay,

to the no-one-asked-for-this version.

Point being, this song is very easy to screw up in its application. It’s pretty tired as a song itself; hell, there’s basically an entire game based on the song.

So when the heist scene rolls up and those woodwinds and horns start swelling, damnit, it makes sense that it costs $40,000 a day to stay in Westworld. Rodrigo Santoro’s handsomely scarred face and killer black outfit make him the outlaw of everyone’s dreams, especially when backed by Djawadi’s composing. Everything in this scene just works so well. It’s got me unironically humming that “dun dun dun dun dun dun” every second I’m not watching Westworld.

 

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